Review: Ronald K. Brown/Evidence (dance Immersion)

Photo of Ronald K. Brown/Evidence in Four Cornersdance Immersion presented an evening of contemporary African and Caribbean dance in Toronto

Toronto has a lot of great local dance companies both small and large. But big-name companies from beyond Canada are presented far too infrequently for my taste. So, when I had the chance to review Ronald K. Brown/Evidence presented by dance Immersion at the Fleck Dance Theatre, I jumped at it. Continue reading Review: Ronald K. Brown/Evidence (dance Immersion)

Review: I Cannot Lose My Mind & Once Upon a Black Boy (The Watah Theatre)

The Watah Theatre stages a double bill of work in Toronto

I was excited as I made my way to Streetcar Crowsnest to see a double bill- the premiere of I Cannot Lose My Mind and an excerpt reading of a work-in-progress entitled Once Upon A Black Boy– presented by The Watah Theatre. The folks at The Watah Theatre can usually be relied upon to present something challenging and unexpected and they did not disappoint. Continue reading Review: I Cannot Lose My Mind & Once Upon a Black Boy (The Watah Theatre)

Review: Bang Bang (Factory Theatre)

Photo of Sébastien Heins, Karen Robinson, Khadijah Roberts-Abdullah, Jeff Lillico, Richard Zeppieri by Joseph Michael PhotographyToronto’s Factory Theatre stages Kat Sandler’s explosive and scintillating new play Bang Bang

Bang Bang, a new play written and directed by Kat Sandler, commissioned and presented by Toronto’s Factory Theatre, is every bit as explosive and scintillating as its provocative title suggests. It’s also a wildly entertaining night of theatre that alternately had me cringing, gripping my armrest in suspense, and howling with laughter. Continue reading Review: Bang Bang (Factory Theatre)

2018 Progress Review: MDLSX (Motus)

MDLSX, produced by Motus and featuring the intensely charismatic Silvia Calderoni, is presented by The Theatre Centre as part of the Progress Festival. It is deeply, forcefully compelling and extremely hard to define. Any attempt to label it and slot it neatly into a category seems both false and disrespectful. Calderoni’s performance is, in essence, an act of defiance—a valiant and passionate reaction to repressive conventions of labelling and categorization.  Continue reading 2018 Progress Review: MDLSX (Motus)