Review: The Message (Tarragon Theatre)

Tarragon Theatre’s The Message, is “wonderfully performed” yet “dense” playing in Toronto

This one’s a thinker for sure… It gave me a ton of material to work through and I’m still puzzling over it. If you want to see a show that’ll invoke your undergrad media studies classes, The Message is being put on by Tarragon Theatre from now until December 16, 2018.

The set stands out from the moment you walk into the theatre. As with all Tarragon shows, this play has high production value with a lot of creativity behind it. The Message, by Jason Sherman, tells the story of Canadian academic Marshall McLuhan as he struggles in the wake of life-altering surgery.

Continue reading Review: The Message (Tarragon Theatre)

Review: Yellow Rabbit (Soulpepper/Silk Bath Collective)

Photo of Amanda Zhou by Alfred ChowA new play by Toronto’s Silk Bath Collective is chilling, timely and relevant

I remember being stunned speechless at the end of Silk Bath; a searing, satirical play about the experiences of Chinese-Canadian immigrants by Bessie Cheng, Aaron Jan, and Gloria Mok, which enjoyed successful runs both at the 2016 Toronto Fringe Festival and the Next Stage Festival. The three playwrights have taken that raw, pointed play, refined it and adapted it into a new work: Yellow Rabbit. Continue reading Review: Yellow Rabbit (Soulpepper/Silk Bath Collective)

Preview: Canoe/Shanawdithit (Tapestry Opera/Opera on the Avalon/Weesageechak31)

Weesageechak31 explores new Indigenous works including a new opera debuting in Toronto in 2019

Weesageechak Begins to Dance is akin to a festival of extended, live trailers of Indigenous performing arts in development. It is an excellent opportunity to get a taste of what’s up and coming and the breadth of Indigenous creative ingenuity. This year’s festival, Weesageechak31, gave me the opportunity to see previews of two operas in development that explore themes of celebrating Native culture and mourning cultural genocide. Beyond Butterfly, the panel  that followed excerpts from Canoe and Shanawdithit, asked “how do we bring more diversity into opera without perpetuating the stereotypes and exoticization that are part of the genre’s history?”

Continue reading Preview: Canoe/Shanawdithit (Tapestry Opera/Opera on the Avalon/Weesageechak31)

Kid +1 Review: Mary Poppins (Young People’s Theatre)

Family-favourite musical Mary Poppins warms the hearts of Toronto audiences at Young People’s Theatre

“I like how this is looking,” said my eight-year-old companion as we settled into seats for Mary Poppins at the Young People’s Theatre. “It looks fancy on the stage and I see musicians. Is there a lot of music and dancing in this show? I would love that.” When the orchestra swelled and the lights dimmed, they bounced happily in anticipation, which proved well-warranted – there was indeed a lot of excellent music and dancing, and we absolutely did love it.

Continue reading Kid +1 Review: Mary Poppins (Young People’s Theatre)