Review: Helen’s Necklace (Canadian Rep Theatre)

Canadian Rep Theatre presents Helen’s Necklace in Toronto that feels hazy and unanchored

Canadian Rep Theatre has chosen to produce Carole Fréchette’s Helen’s Necklace in a unique way.  Typically performed by one actress as Helen and one male portraying the other characters, director Ken Gass casts three female actors in the two-hander.
The eponymous character narrates her journey through an unnamed country after she loses her “lighter-than-air” pearl necklace. The necklace is described as using invisible thread, making the pearls appear as if just scattered around Helen’s clavicle – it is an elusive and ethereal ornament. And this production follows the necklace’s lead.

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Review: The Penelopiad (Hart House)

Herstory takes on classic mythology in this Canadian-penned theatre epic onstage in Toronto

Mythology gets modern in The Penelopiad, Margaret Atwood’s alternate take on Homer’s Odyssey epic. Based on the 2005 novella of the same name, this pitch-black comic tragedy at Hart House theatre examines the life of Penelope, famed for holding court at Ithaca in her husband Odysseus’ twenty-year absence. In this version of events, she is much more than a dutifully waiting good wife.

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Review: Gods Like Us (Theatre Nidāna)

Photo of Vince Deiulis and Zazu Oke provided by the companyAn “insightful look at the moral complexity of an untold story,” now on stage in Toronto.

Most Canadian history classes, if my experience is any indication, teach very little about African involvement in the first World War – many of those important details tend to get lost under the narrative of Canada coming into its own as a nation. It’s those missing pieces in our knowledge that spurred Zazu Oke and Vince Deiulis of Theatre Nidāna to create Gods Like Us, now playing at the Factory Studio Theatre, in commemoration of the 100th anniversary of the armistice that ended the fighting.

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Review: Older & Reckless #41 (MOonhORsE Dance Theatre)

Older and Reckless is a dance showcase for older dancers in Toronto

Older and Reckless #41 presented at Harbourfront’s Studio Theatre has everything you need, from laughs and love, to downright creepy and dark. The six work bill, curated by Claudia Moore, hosted by Tabby Johnson, is performed by some of the most celebrated older artists – as the company states, made more reckless as time goes by. Continue reading Review: Older & Reckless #41 (MOonhORsE Dance Theatre)