Jerry Springer-the Opera is tacky, cheesy and bound to offend you. In other words–go see this show. The premise: a man hosts a talk show that caters to the voyeur in us all. His lineup includes cheated lovers, secret fetishes and a women who just wants to follow her dream of dancing on a pole.
I’m glad I choose to seerAiz’n the sun ensemble’sSummerWorks performance of The Centre at the peak of one of the hottest days of this otherwise rain-drenched summer. As the lights dimmed at The Factory Theatre, the air was filled with the soothing, almost-breezy humming of worship. I forgot my discomfort and instantly slipped into the play. Two groups of women were introduced: five from the past (which is actually our present) and four from a thousand years in the future who are tasked with stopping a worker’s rebellion. They decide to travel back and examine a group of women who’ve agreed to exchange their opinions for money in The Centre: what we 21st-century people call a focus group. Continue reading Summerworks 2009 – The Centre – Factory Theatre→
I’ve never been to an opera. I have, however, seen plenty in movies and Bugs Bunny cartoons, so I figured I knew what I was in for when I went to check out La Señorita Mundo – an operatic allegory.
Picture two beds, split into separate cells by masking tape and imagination. In one, Timothy Leary, the self-proclaimed philosopher and LSD messiah, is spending his first day in jail. In the other: Charles Manson, the notorious jailbird that conspired several LSD-inspired murders. They talk, they laugh, they scream obscenities. This is (based on a) true story. Continue reading Toronto Fringe Review: Charles Manson and Timothy Leary at Folsom Prison – Tarragon→