All posts by Dorianne Emmerton

Dorianne is a graduate of the Theatre and Drama Studies joint program between University of Toronto, Erindale campus and Sheridan College. She writes short stories, plays and screenplays and was delighted to be accepted into the 2010 Diaspora Dialogues program and also to have her short story accepted into the 2011 edition of TOK: Writing The New Toronto collection. She is also a regularly contributing writer on http://www.sexlifecanada.ca. You can follow her on twitter @headonist if you like tweets about cats, sex, food, queer stuff and lefty politics.

Review: Bad Dog Theatre Short Play Festival

by Dorianne Emmerton

The Bad Dog Theatre Short Play Festival showcases original Canadian comedic short plays. Keep reading to find out more about the two shows Loose Connections and The Void.

Loose Connections (by Robin Pond)

Loose Connections is a set of sketch comedy scene played by three actors, Eric Turkienicz, Deanna Palazzo, and Skye Regan.

In the first scene a woman storms into a coffeeshop demanding to know what the secret conspiracy is to keep patrons returning to that same establishment every day. The angry woman had some very funny build up but unfortunately the punch line to the scene was lost the night I saw it. Continue reading Review: Bad Dog Theatre Short Play Festival

Review: Bad Dog Theatre Short Play Festival

by Dorianne Emmerton

The Bad Dog Theatre Short Play Festival showcases original Canadian comedic short plays and runs for one week, with four shows a night.  Don’t worry though, you don’t have to go to all four shows in one night, you can just pick one if you’d prefer, there’s one every hour from 7 to 10pm.

Starting Over (by Adam Hunter Collier)

On Wednesday the evening started off with Starting Over, a twenty minute comedic piece about a young man, Richard (Philippe Poirier) at his first psychiatrist appointment. He had felt insincere in his corporate job so he tried being “open and honest” in the office which led to him being fired.

Continue reading Review: Bad Dog Theatre Short Play Festival

Spider Baby the Musical (AFS entertainment) 2010 Toronto Fringe Review

By Dorianne Emmerton

If you love Rocky Horror, go see Spider Baby the Musical. I happen to love Rocky Horror – and Evil Dead movies and Elvira and all sorts of horror-flavoured kitsch – so I very much enjoyed Spider Baby.

If you didn’t know what you were in for before sitting down in the audience you knew it as soon as the lights came up. The first thing you see is the four female cast members dressed in slinky black slips vamping their way through the opening number. They are sexy and scary in that camp sort of way. Continue reading Spider Baby the Musical (AFS entertainment) 2010 Toronto Fringe Review

[sic] (Theatre Best/Before from Toronto) 2010 Toronto Fringe Review

I had originally been scheduled to see [sic] Monday night, but unfortunately did not make it due to being trapped in the subway during one of the rolling blackouts. It is a shame I didn’t get to see it sooner so I could have recommended it before now, as it only has one show left. I wouldn’t recommend it to everyone though: if you’re attached to realism in any way, this is not the show for you.

(Sic) is an absurdist comedy. It is noisy and fast-paced and often nonsensical. I happen to love this sort of theatre, but many do not. Continue reading [sic] (Theatre Best/Before from Toronto) 2010 Toronto Fringe Review

This Is About The Push (Seventh Stage Productions) 2010 Toronto Fringe Review

by Dorianne Emmerton

This Is About The Push is apparently the name of a three-part play, and this Fringe production is just Part One, entitled Opinions About The Invasion. I very much look forward to Part Two.

Going into it I knew that it was about women and war. I was apprehensive that it would be Drama-with-a-capital-D: heavy, dreary and lacking in humour. I was pleasantly surprised to find that, in Part One at least, it was entertaining and funny and there wasn’t any actual war. Continue reading This Is About The Push (Seventh Stage Productions) 2010 Toronto Fringe Review