All posts by Istvan Dugalin

Apart from his (pathological?) obsession with airplane disasters, Istvan is a filmmaker and film enthusiast, but began his creative adventures in theatre. Starting out as an actor, he soon discovered a preference for life behind-the-scenes. He has experience in lighting design, stage management and production management, but his passion is writing and directing. With several short films and an indie feature under his belt, film has been his focus in recent years, but theatre has been calling him back. You see more of his critical writing at his film reflection blog: http://captiveviscera.wordpress.com/

Review: Creditors (Coal Mine Theatre)

“Brutal and fascinating” Strindberg classic takes the stage in Toronto

CreditorsAndrea Mittler’s set for Creditors at the Coal Mine Theatre suggests you’re about to be taken back to a time long ago. It’s a stuffy, old-fashioned world of antiques, all dark wood and bronze. This quaint illusion is completely shattered the moment the action starts, as the story and its characters are far from antiquated. Although it was written over a century ago, August Strindberg’s tragic comedy is still fresh and provocative.

Adolph is a young man, an artist, who has recently taken ill. He limps around with the help of crutches, sharing some very private thoughts with a much older man, Gustav. Gustav seems to be genuinely worried about this young man and his attachment to his older wife, a fellow artist—a novelist—named Tekla. Gustav tries to convince Adolph that he has been emasculated by her. Continue reading Review: Creditors (Coal Mine Theatre)

Review: Crimes of the Heart (Sterling Theatre Company)

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Crimes of the Heart is an “Exhilarating”, “Empowering” Piece of Theatre

A beloved childhood horse is struck by lighting, granddaddy is in a coma and a husband has been shot by his own wife: it’s a bad day for the MacGrath sisters.

Crimes of the HeartBeth Henley’s Pulitzer Prize-winning drama, pulses with humour and heartbreak. Sterling Theatre Company’s production, currently playing at The Theatre Machine, hits every note, knocks most right out of the park, and is teeming with life.

Set in the Deep South, the play simmers with Southern Gothic heat: the drawling voices, the eccentricity, the infidelities… This a world where social graces are held in high esteem, but always abandoned—spectacularly!—when emotions flare. Continue reading Review: Crimes of the Heart (Sterling Theatre Company)

Review: I Take Your Hand In Mine… (The Chekhov Collective)

I Take Your Hand in Mine is a “must see for Chekhov enthusiasts” at the Red Sandcastle Theatre in Toronto

handinmine1Anton Chekhov and Olga Knipper were a power couple in the world of Russian theatre at the turn of the previous century. She was a popular actress with the Moscow Art Theatre and he a renowned playwright. They first met during a revival of Chekhov’s The Seagull. Though they were mostly apart during the next six years, they corresponded continuously and maintained an intense relationship as creative collaborators, friends, lovers and, eventually, husband and wife.

Carol Rocamora has woven together bits and pieces of over four hundred of their love letters and fashioned them into this intimate two-hander: I Take Your Hand In Mine…, presented by The Chekhov Collective and currently playing at Red Sandcastle Theatre. Continue reading Review: I Take Your Hand In Mine… (The Chekhov Collective)

Review: The Templeton Philharmonic (Toronto Sketch Comedy Festival 2015)

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Comedy is a mighty polarizer. Just a few nights ago, I sat bored while a hundred or more people around me were laughing up a storm. Yes, humour is very personal and very specific. Last night, I had the pleasure of watching two ladies that do it for me: Gwynne Phillips and Briana Templeton, The Templeton Philharmonic. They played at The Theatre Centre as part of The Toronto Sketch Comedy Festival. Continue reading Review: The Templeton Philharmonic (Toronto Sketch Comedy Festival 2015)

Review: The Irrelevant Show (Toronto Sketch Comedy Festival 2015)

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I caught a live taping of The Irrelevant Show at the Randolph Theatre as part of The Sketch Comedy Festival. Going in, I wasn’t familiar with the CBC Radio hit, but I was familiar with the live-taping set-up (having seen a taping of The Debaters last year). The focus is on sound, so there is very little in the way of physical antics.

Let me get this out of the way as soon as possible: I wasn’t a big fan of the content. With the exception of a couple of sketches, I found the writing very broad and a little too tried-and-true for my taste. Continue reading Review: The Irrelevant Show (Toronto Sketch Comedy Festival 2015)