Jess is an East coast transplant to Toronto who stumbled into her love of theatre via her social media gig at Ballyhoo Push Pin Media, and stumbled into review writing via an open call to cover the 2015 Fringe Festival for MoT. In addition to writing for MoT, she also blogs about dating, white supremacy, fat politics, theatre, graphic design, and sex at thejessgillis.blogspot.com. She’s a self-taught freelance graphic designer by trade, and a visual artist by passion. She sells and displays her wares at jessgillis.com. She’s passionate about laughter, anti-oppression, sex workers’ rights, body positivity, vegan food, cycling, good TV, and swimming. If you want to follow her foodie, nail art, and pet sitting posts, you can follow her on Instagram and Twitter @TheJessGillis
Toronto’s Videofag presents Cherry Corsage, a colourful show with queer references and ’90s music
The pink Starbust I’m sucking on, courtesy of the wonderful candy bar at The Citadel Theatre – where I just saw Videofag‘s Cherry Corsage – feels to me like a metaphor for the show: delicious, chewy, brightly packaged, pretty, full of incomprehensible ingredients, best enjoyed in small amounts, and not necessarily everyone’s favourite in the pack.
Interactive basketball theatre performance takes to the courts in Toronto
While waiting to enter the makeshift basketball court at The Theatre Centre to see Monday Nights – an “interactive immersive bromance” show by 6th Man Collective – we see a sign, some pieces of paper, and pencils.
“Write your wish, and place it in the basketball,” the sign tells us. So I, my companion, and mostly everyone else in the room does just that. As I’m revelling in the novelty, sneaking a second wish into the split open basketball and reading the court rules posted on the door, a whistle blows. A referee is now commanding our attention. I’m already excited – and it only gets better.