All posts by Keira Grant

Review: TAP:Ex Augmented Opera (Tapestry Opera/re:Naissance Opera)

Tap:EX blends opera with new age technology in their new Augmented Opera experience

TAP:EX Augmented Opera, Tapestry Opera’s latest installment of its Tap:EX series, unites form and content to explore the impact of technology on experience and memory. As my companion put it, Augmented Opera is like an operatic episode of Black Mirror, but the jury is hung on whether the technology is friend or foe. Continue reading Review: TAP:Ex Augmented Opera (Tapestry Opera/re:Naissance Opera)

Review: Dead Parents Society (Buddies in Bad Times Theatre)

The loss of one’s parents is probably the most dreaded, expected life event for most people. I do not really like to talk about it for fear the Grim Reaper will suddenly jump up and snatch them as though summoned. Dead Parent Society is about finding healing through humor in this intimate, grief-themed sketch comedy show. Continue reading Review: Dead Parents Society (Buddies in Bad Times Theatre)

Review: Rusalka (Canadian Opera Company)

 0253 – Sondra Radvanovsky as Rusalka in the Canadian Opera Company’s production of Rusalka, 2019. Conductor Johannes Debus, director Sir David McVicar, costume designer Moritz Junge, set designer John Macfarlane, lighting designer David Finn, choreographer Andrew George. Photo: Michael CooperThe COC’s Rusalka is a full-body immersive experience that tingles the spine

In the Canadian Opera Company’s current presentation of the Chicago Lyric Opera production of Rusalka, by Antonin Dvořák, the storytelling begins during the overture, before the curtain comes up. The dedication to telling a philosophical and darkly beautiful version of this well-known fairy tale is unwavering to the final haunting note.

Continue reading Review: Rusalka (Canadian Opera Company)

Preview: La Boheme returns to Against the Grain Theatre

Cheers to Opera in a Bar, Against the Grain Theatre Tours La Boheme across Canada

Woman singing in La Boheme in Against the Grain Theatre in TorontoOver the last decade, Toronto-based company Against the Grain Theatre (AtG) has built a reputation for re-imagining old works and creating boundary-pushing new opera productions. In honour of its Tenth Anniversary, the company is remounting its inaugural production of La Bohème, this time taking the show on the road.

I was curious about the piece and asked the Artistic Director of AtG some questions about the production, which has visited Banff and 7 other communities between it and Toronto, many of which do not have regular access to opera.

Continue reading Preview: La Boheme returns to Against the Grain Theatre

Review: Turandot (Canadian Opera Company)

Turandot is conversation-sparking opera, on stage in Toronto

With the blackface scandal fresh in everyone’s mind, it is a complex time for Canadian Opera Company to mount Turandot, Giacomo Puccini’s final, and most musically complex opera. Turandot’s story resets the bar for the complexities of the cultural appropriation discussion: it is an ancient Persian fairy tale, set in even more ancient China, which made the rounds through Europe in a variety of incarnations in the  18th and 19th centuries before becoming the basis for an Italian opera in the early 20th century. Since its premiere in 1926, one year after Puccini’s death, the performance tradition has relied upon the most hackneyed tropes of orientalism (think dragons and gongs) to tell a fantastical tale occurring in a make-believe “China.” Continue reading Review: Turandot (Canadian Opera Company)