All posts by Madeleine Copp

Madeleine Copp saw her first show when she was four years old and it was love at first sight. She pursued a bachelor’s in theatre production and design and English literature, culminating in a love for flexible, innovative, and diverse theatre artists that challenge all our preconceived notions of the stage. Her thesis, Printed Voices: Women, Print, and Performance pushed for new interpretations of closet drama from the early modern to modern period in the hopes of seeing more female playwrights included in the performance canon. Since graduating, Madeleine continues to seek out unexpected, startling, and challenging works that leave her angry, speechless, and wonderfully confused.

Review: An Enemy of the People (Tarragon Theatre)

Photo of An Enemy of the PeopleToronto’s Tarragon Theatre remounts its update of Henrik Ibsen’s play An Enemy of the People

It’s hard to ignore the truth but it’s easy to bury it. That’s part of the problem in An Enemy of the People playing at Tarragon Theatre; a timely show that attempts to engage its audience in big ideas with some success and some failure.

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Review: Like a Generation (Coyote Collective)

Photo of Like a Generation

Like a Generation explores the social impact of media on stage in Toronto

People invest a lot in the media they consume as kids: the stories, the characters, and the ideas. Coyote Collective’s Like a Generation playing at Dancemakers Studio 313 wonders if those same stories don’t somehow invest in us: in our lives, our characters, and our ideas.

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Review: Babelle et barbarie (Collectif BUS 1.2.3.)

Photo of Barbelle et barbarieCollectif BUS 1.2.3 presents Babelle et Barbarie at Toronto’s Winchester Street Theatre

As technology becomes part of our lives, how do we, as people, understand ourselves?  Babelle et Barbarie by the Collectif BUS 1.2.3. playing at the Winchester Street Theatre is a multimedia, multi-lingual performance that wants to  examine the relationship between technology and identity.

Unfortunately, in the service of technical exploration the performance manages to lose itself in the presentation.

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Street vs. Stage (Tina Fushell/Molly Johnson/Emily Law/Sabina Perry) 2015 SummerWorks Review

Photo of Street versus Stage

Using two different styles of dance can open up a whole new understanding of movement for an audience. In Street vs. Stage playing at the Factory Theatre Mainspace as part of the 2015 Toronto SummerWorks Festival, producers Tina Fushell, Molly Johnson, Emily Law, and Sabina Perry deliver the joy of dance with a collection of incredible dancers.

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