All posts by Madeleine Copp

Madeleine Copp saw her first show when she was four years old and it was love at first sight. She pursued a bachelor’s in theatre production and design and English literature, culminating in a love for flexible, innovative, and diverse theatre artists that challenge all our preconceived notions of the stage. Her thesis, Printed Voices: Women, Print, and Performance pushed for new interpretations of closet drama from the early modern to modern period in the hopes of seeing more female playwrights included in the performance canon. Since graduating, Madeleine continues to seek out unexpected, startling, and challenging works that leave her angry, speechless, and wonderfully confused.

Review: Ashley with a “Y” (Ashley Botting)

Photo of Ashley Botting Photo by David LeyesToronto comedian Ashley Botting remounts her delightful musical improv Fringe show

It’s hard to articulate a show like Ashley with a “Y” playing at the Bad Dog Theatre. Musical improv that changes with every show, totally dependent on the talent and charisma of one woman and her pianist, sounds like it could be the lead up to, well, one heck of a joke.

And it pretty much lives up to its punchlines.

Continue reading Review: Ashley with a “Y” (Ashley Botting)

Review: Scorch (Bustle and Beast Theatre Co. and Blarney Productions)

Photo of Julie NIUBOI Ferguson in ScorchScorch dazzles on the Toronto stage with questions about gender and justice

Sometimes a show is just great: the set, the direction, the actor, are amazing. That’s exactly what Bustle & Beast Theatre Company with Blarney Production’s Scorch playing at the Theatre Pass Muraille Backspace is: great. As a result, please allow me to count the ways Scorch is a must-see show for  2018.

Continue reading Review: Scorch (Bustle and Beast Theatre Co. and Blarney Productions)

La Seconde surprise de l’amour (Théâtre français)

Photo of the Second Surprise of LoveToronto’s French-language theatre stages a new production of Pierre de Marivaux’s play

I think, sometimes, shows fall into that awkward place between comfortable and predictable. TheThéâtre français’s La Seconde surprise de l’amour/The Second Surprise of Love playing at the Berkeley Street Theatre is an eighteenth-century romantic comedy that plays out exactly as you expect. Continue reading La Seconde surprise de l’amour (Théâtre français)

Oraltorio: A Theatrical Mixtape (Obsidian Theatre Company/Soulpepper)

Photo of Motion in OraltorioObsidian Theatre’s “pitch perfect” musical play Oraltorio: A Theatrical Mixtape takes the stage in Toronto

You ever see a show that hits all the right notes? Obsidian Theatre Company’s Oraltorio: A Theatrical Mixtape playing at the Young Centre for the Performing Arts is just that: a pitch perfect performance.

Continue reading Oraltorio: A Theatrical Mixtape (Obsidian Theatre Company/Soulpepper)