All posts by Mike Anderson

Mike was that kid who walked into the high school stage crew booth, saw the lighting board, and went ooooooooooooh. Now that he’s (mostly) all grown up, Mike keeps his foot in the door as a community-theatre producer, stage manager and administrator. In the audience, he’s a tremendous sucker for satire and parody, for improvisational and sketch-driven comedy, for farce and pantomime, and for cabaret of all types. His happiest Toronto theatrical memory is (re) Birth: E. E. Cummings in Song.

Cheap Theatre in Toronto for the week of June 11th, 2013

What’s cheap in the city this week? A little bit of everything! Whether you’re looking for classical theatre in a bucolic setting, or something challenging and experimental, we’ve got you covered. Get ready for Pride at Buddies, get a new perspective on love at Videofag, or get your hands dirty at the Theatre Centre: the choice is yours! Continue reading Cheap Theatre in Toronto for the week of June 11th, 2013

Review: The Adam Growe Quiz Show (Adam Growe)

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A solid comedy quiz show presented by Adam Growe at the Randolph Theatre in Toronto

If The Adam Growe Quiz Show (which played the Randolph last night) were organized by anyone else, it would be dreadful. You can only stuff so many things into a playbill before it collapses under its own weight, and the night’s programme includes music, stand-up, trivia, stand-up, variety, stand-up, and cash prizes, interspersed with more stand-up. It sounds exhausting, and I wasn’t expecting much as I wandered in.

How silly of me. It was incredible.

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Review: Geekprov / Improv Against Humanity (The 404s)

Toronto improv group The 404s get their geek on at Comedy Bar

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Improv Against Humanity (presented at the Comedy Bar) is a fantastic idea. The 404s are one of Toronto’s best-kept comedy secrets, bringing improvisational comedy with a geeky bent to conventions, conferences and clubs all over North America, while Cards Against Humanity–the source material for tonight’s improv set–has been a runaway success fuelled entirely by laugh-out-loud hilarity and poor life choices.

It’s always a good sign when a comedy troupe has enough fans to fill a room to capacity: the 404s have earned their success through over a decade of consistent, careful work, and their fans didn’t leave disappointed.

But I’m afraid to say that I did.

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Review: KAMP (Hotel Modern)

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Hotel Modern’s KAMP is one of the most worthwhile pieces of Toronto theatre you’ll see this year

While KAMP (playing at Harbourfront’s Enwave Theatre) is described as a puppet show, I found the effect more like watching a group of children playing in a schoolyard. One of them leads the model train into the station; another unloads the passengers. And in a dollhouse just inches away, the third is collecting the shoes, clothes and eyeglasses abandoned in the anteroom of a gas chamber, the better to process the next batch of prisoners.

KAMP tells the story of a sunrise-to-sunset day in Auschwitz, one of the Nazi extermination camps. Three performers move among thousands of intricate, eight-centimetre puppets, telling the story in short, unspoken vignettes. And through clever use of tiny cameras, their pictures projected above the landscape as a sort of sky, the audience grasps the true, ground-level scale of what is unfolding.

From the theatre’s balcony, these tiny puppets look like exactly what they are: wire puppets attached to boards. But from ten centimetres off the ground, the camera lingering over every face in this enormous crowd, they look eerily, undeniably human.

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