Most Fringe shows have two problems: a weak script and a lack of polish. It’s to be expected– the Toronto Fringe Festival is as much about workshopping pieces and developing talent as it is performance–but it’s often disappointing when promising ideas or actors end up stuck in a show that isn’t very well-written or wasted in one with poor execution.
Randolph Academy, by digging out Federico García Lorca’s The House of Bernarda Alba, has completely avoided the first problem, and the production (running at the Annex Theatre) gets dangerously, fiendishly close to avoiding the second. Continue reading The House of Bernarda Alba (Randolph Academy) 2012 Toronto Fringe Review