All posts by Samantha Wu

Samantha is both a writer and a fan of the arts and has been able to find numerous ways to pair the two. Aside from being an editor here at Mooney on Theatre, she's a photojournalist for Been Here Done That, a travel, dining and tourism blog that focuses on Toronto and abroad and previously for  Lithium Magazine, which got her writing and shooting about everything from Dave Matthews Band to Fan Expo. She's passionate about music, theatre, photography, writing, and celebrating sexuality -- not necessarily in that order. She drinks tea more than coffee, prefer ciders over beers, and sings karaoke way too loudly. You can follow her on various social media including Facebook, Twitter, and Instagram.

Review: My Heart is a Spoon – First Incarnation (Across Oceans)


My Heart is a Spoon is a work in progress in development at The Theatre Centre in Toronto with its first incarnation showing January 19 – 22.

What is rage? How do you express it and where does it come from? How does it affect you? Where does it affect you? This is what My Heart is a Spoon (produced by Across Oceans) explores through the use of dance and movement, music, vocalized sound, lights and projected manga imagery on the walls and floor. Continue reading Review: My Heart is a Spoon – First Incarnation (Across Oceans)

Review: UnEarth – In Search of Self (Helix Dance Project)

Unearth. Unravel. Unveil. These are the three layers that are explored and stripped away in Helix Dance Project’s hour-long production showcasing at the Betty Oliphant Theatre. Being a huge fan of dance (as testament to my previous dance experience during this summer’s Fringe Festival), I was eager to check out UnEarth – In Search of Self.

Having spent the day exploring Toronto with my boyfriend, Bob, along for the ride, an exploration of movement and dance seemed like the best way to cap off the evening. As we took to our seats, escorted to box seats but opting for top row instead, we settled in for the show.

Continue reading Review: UnEarth – In Search of Self (Helix Dance Project)

Review: 2000 Candles (The Arts Engine)

‘Tis the season for the fat man in the red suit to descend upon millions of homes across the globe while riding a sleigh propelled by reindeer travelling faster than the speed of sound. How else is he supposed to visit every home in the span of one night?

‘Tis the season for Christmas pageants gone awry complete with mini-prima donnas playing Mary and that awkward kid chewing
on the ear of his sheep’s costume. ‘Tis the season for 2000 Candles,
a delightfully hilarious set of vignettes celebrating the many ways Christmas is celebrated. Continue reading Review: 2000 Candles (The Arts Engine)

Review: Uncharted Zones – A Sequence of Four (Monkeyman Productions)

It’s like watching The Twilight Zone – four episodes exploring the human connection with the unknown and the unexpected and how we cope with what we will never know. Each piece is a rest stop along a galactic highway of past and future. This is what you can expect when sitting down to experience Uncharted Zones by Monkeyman Productions.

Directed by Martin Chodorek, written by D. J. Sylvis, and featuring the performances of Martha Girvin, Jennifer Kenneally, Michael Mackinnon, Amanda Ives, and Leeman Kessler as The Tour Guide, these four mini plays provoke the audience to ponder life in ways many have not considered. Continue reading Review: Uncharted Zones – A Sequence of Four (Monkeyman Productions)

Review: The One – Love and Obsession Theatre (Good Humour Productions)

What is it to fall in love? And while we’re at it, what does it mean to find The One? How about multiple ones? How many “ones” are there for a single person? And if one chooses to limit themselves to a single “one” how many other possible “ones” are we then closing ourselves off to? June Morrow explores the act of loving and finding love in her one-woman show aptly titled The One. Continue reading Review: The One – Love and Obsession Theatre (Good Humour Productions)