A Bear Awake in Winter —playing at Toronto’s Factory Theatre as part of the Next Stage Theatre Festival—is an absorbing, character-driven story about a high school music class. It’s a play on a mission: that of undoing the connection between discrimination and the need for constant vigilance in a world run by entitled men, and a sense of shame that it’s one’s own fault for having to always be on guard.
A play by Toronto’s Human Cargo explores the Arab-Israeli conflict from a unique perspective
The Runner, produced by Human Cargo, dives into the moral and psychological weight of working for Z.A.K.A., a humanitarian group in Jerusalem in charge of gathering body parts—including those of perpetrators of violent acts—to be returned to families after disastrous events. Currently on at the Theatre Passe Muraille Mainspace, the work offers a ground-level view of the difficulty of seeing every person as human in a place where some are considered lesser than.
Shapeshifters, spirits and demons take to the Toronto stage in The Monkey Queen
The Monkey Queen (Red Snow Collective)—on at The Theatre Centre—is a quietly subversive play that adds childlike wonder and a female perspective to Wu Cheng’En’s fable-filled novel Journey to the West, an adventurous quest for knowledge featuring monsters, demons, and spirits galore.
Acclaimed Toronto choreographer & dancer premieres thought-provoking full-length solo on decay, rebirth and celebrity.
In his first solo dance show, The art of degeneration (DanceWorks), Louis Laberge-Côté offers up meditations on decay, immorality, and self-destruction. His endearing, mischievous sense of humour transforms The Citadel: Ross Centre for Dance into a lushly-coloured romp through history, both personal and public. With moves that find the hidden grace in things falling apart, being vulnerable with your demons is the only way to survive.
The Governor General’s Literary Award finalist play opens in Toronto
Anosh Irani’s The Men in White, produced by Factory Theatre, brings renewed urgency to a quintessential topic in Canadian literature—that of the immigrant’s adaptation to the space between Canada and the homeland—by focusing less on assimilation and more on what it means to live a good life in a globalized world. Continue reading Review: The Men in White (Factory Theatre)→