All posts by Trevor Abes

Del Manantial del Corazón (Sa’as Tún Theatre Company)

Vignettes about Mayan womanhood take the stage in Toronto as part of the 2018 RUTAS Festival

Del Manantial del Corazón (From the Spring of the Heart), by Mexico’s Sa’as Tún Theatre Company, is a collection of vignettes about Mayan womanhood that transcends the theatrical into spiritual connection. On at Aki Studio for the 2018 RUTAS Festival, the play highlights women and Indigenous tradition by fostering deep reverence for birth, death, and the balms of ritual and community. Continue reading Del Manantial del Corazón (Sa’as Tún Theatre Company)

Review: A Midsummer Night’s Dream (Canadian Stage)

Enjoy Shakespeare as the sun sets at Toronto’s Shakespeare in High Park

The production of A Midsummer Night’s Dream at this year’s Shakespeare in High Park—currently running at the High Park Amphitheatre—is a straightforward adaptation of the classic play that sets itself apart with the high volume and calibre of comedy the cast is able to maintain.

Continue reading Review: A Midsummer Night’s Dream (Canadian Stage)

Thousand Beginnings (Under The Umbrella) 2018 Toronto Fringe Review

Photo of Gulce Oral and Jewels Krauss in Thousand Beginnings.

Thousand Beginnings is a piece of performance art that combines intensely physical choreography, philosophical poetry, and visually dazzling prop work into happenings about the expectations of femininity a woman needs to shed to find peace. It’s a substantive debut from Under The Umbrella  and a challenging addition to the Toronto Fringe that will leave plenty to ponder after the curtain falls.

Continue reading Thousand Beginnings (Under The Umbrella) 2018 Toronto Fringe Review

Echoes (Omnika In Motion) 2018 Toronto Fringe Review

Picture of Maeghan Tuckey, Alex Papaconstantinou, Isabella de Almeida Aidar, and Rowynn Lloyd in Echoes.

Echoes, by Omnika In Motion, is a multi-disciplinary dance piece that reinterprets the classic trope of Jekyll and Hyde through props, shadow play, and genres as diverse as belly dance, jazz, hip-hop, and circus. Currently playing at Factory Theatre, the show represents a refreshingly plot-free, dialogue-free option compared to the more straightforward stories one might encounter at Toronto Fringe.

Continue reading Echoes (Omnika In Motion) 2018 Toronto Fringe Review