Fringe Festival

A collection of everything to do with the Toronto Fringe Festival, including reviews, features, press releases etc.

Daphne’s Inferno (Bad Seed Productions) 2021 Toronto Fringe Review

Daphne’s Inferno by Bad Seed Productions, playing virtually at the 2021 Digital Fringe Festival, is a take on the classic tale of Dante’s Inferno. Daphne (Barb Scheffler) wanders into a strange little coffee shop, the Inferno Café, while looking for her husband. There she is greeted by the barista Virginia (Jillian Rees-Brown). When Daphne tries to leave, she sees that the door is blocked. Virginia informs her that she cannot leave the way she entered; the only way out is through.

As Daphne gathers her thoughts and prepares for her journey, she is greeted by the mysterious Lucy (Erin Eldershaw) who informs Daphne that she is indeed at the gates of Hell and in order to find her way out she must traverse through the circles of Hell.

In doing so, Daphne is forced to confront the darkest chapters in her life, from her abusive father, her horrendous high school relationship, to her sexual abuse at the hands of a neighbor. But when she hears the tragic truth from from her daughter, she finds herself at the edge of no return.

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Venus & Adonis (Theatre Oculus) 2021 Toronto Fringe Review

Photo of Venus & Adonis from the 2021 Toronto Fringe Festival

Venus & Adonis, produced by Theatre Oculus, is playing on-demand at the 2021 Toronto Fringe Festival. Based on the Shakespeare poem of the same title, the dance work runs 25-minutes. Venus, the goddess of love, attempts to seduce Adonis. Her love is unrequited, as in the original story he would rather go hunting. The company asks: What happens when the goddess of love is scorned in her own realm?

The piece opens with the sounds of birds chirping and the sight of white dresses flowing in a light summer breeze. The cast of 12 dancers moves to a recorded poem by Kelsi James. Depictions of love and desire are shown in a montage of solo shots of whimsical improvised contemporary movement set against the beautiful outdoor backdrop.

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Insomniac (Blue Glass Theatre) 2021 Toronto Fringe Review

Poster for Insomniac from the 2021 Toronto Fringe Festival

Late-night overthinking and intrusive thoughts… Google rabbit holes of illnesses you do not have… Insomniac, produced by Blue Glass Theatre, playing on-demand at the 2021 Virtual Toronto Fringe Festival, follows one woman’s late-night rants about her trouble sleeping and the contrasting and often unhelpful sleep aid advice found on the internet, like don’t look at your phone but use this sleep app! Or, make a cup of herbal tea, but avoid any bright lights at night… How is one to do so when pouring scalding hot water?!

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In Transit (Von Hunt Productions) 2021 Toronto Fringe Review

Picture of Sydney Keir, Sebastian Hirtenstein and Alayna Kellettin in In Transit

In Transit is a lyrical and affecting contemporary dance performance playing as part of the 2021 Digital Toronto Fringe Festival. Produced by Von Hunt Productions, a dance performance company created by choreographer Alayna Kellett, In Transit uses movement and a vivid soundscape to explore the transitional spaces we occupy in the aftermath of trauma. Continue reading In Transit (Von Hunt Productions) 2021 Toronto Fringe Review

Dance of Torn Papers (Nowadays Theatre) 2021 Toronto Fringe Review

Photo of Aida Keykhaii and Maryam Mahdavi in Mother, Dance of Torn Papers. Photo by Mahsa Ershadifar.

Dance of Torn Papers, produced by Nowadays Theatre, is a 360˚ experience of two short works by playwright and director Mohammad Yaghoubi, playing on-demand at the virtual 2021 Toronto Fringe Festival. The double bill is a combined 30 minutes, with two different video options of watching in either English or Farsi, or with subtitles of each language for either video.

The 360˚ VR experience gives audiences the ability to be in the room, to choose where they want to look with the direction of the mouse, making you intimately a part of the experience. Past virtual reality shows I’ve seen leave the camera in one spot, but in this work, the actors move the camera with them to different places in the room, creating an even more lifelike ambience to the performance.

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