Daphne’s Inferno by Bad Seed Productions, playing virtually at the 2021 Digital Fringe Festival, is a take on the classic tale of Dante’s Inferno. Daphne (Barb Scheffler) wanders into a strange little coffee shop, the Inferno Café, while looking for her husband. There she is greeted by the barista Virginia (Jillian Rees-Brown). When Daphne tries to leave, she sees that the door is blocked. Virginia informs her that she cannot leave the way she entered; the only way out is through.

As Daphne gathers her thoughts and prepares for her journey, she is greeted by the mysterious Lucy (Erin Eldershaw) who informs Daphne that she is indeed at the gates of Hell and in order to find her way out she must traverse through the circles of Hell.

In doing so, Daphne is forced to confront the darkest chapters in her life, from her abusive father, her horrendous high school relationship, to her sexual abuse at the hands of a neighbor. But when she hears the tragic truth from from her daughter, she finds herself at the edge of no return.

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Venus & Adonis, produced by Theatre Oculus, is playing on-demand at the 2021 Toronto Fringe Festival. Based on the Shakespeare poem of the same title, the dance work runs 25-minutes. Venus, the goddess of love, attempts to seduce Adonis. Her love is unrequited, as in the original story he would rather go hunting. The company asks: What happens when the goddess of love is scorned in her own realm?

The piece opens with the sounds of birds chirping and the sight of white dresses flowing in a light summer breeze. The cast of 12 dancers moves to a recorded poem by Kelsi James. Depictions of love and desire are shown in a montage of solo shots of whimsical improvised contemporary movement set against the beautiful outdoor backdrop.

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