Reviews of productions based in Toronto – theatre includes traditional definitions of theatre, as well as dance, opera, comedy, performance art, spoken word performances, and more. Productions may be in-person, or remote productions streamed online on the Internet.
The Second City Totally Likes You is the longstanding revue troupe’s new Valentine offering, themed around love and relationships from Tinder ‘til death do us part. The sprightly touring company brings together a combination of new material and sketches previously performed in Chicago and Toronto. As a skewering of our desperation for human connection and the conflicting desires to let others in and keep them at arm’s reach, it’s often spot-on.
“Challenging and enjoyable” dance piece takes to the Toronto stage
this happened… is a contemporary dance performance by Kate Hilliard and presented by Citadel + Compagnie, currently enjoying its world premiere. The piece explores themes of grief and human connection through a variety of disciplines including movement, visual art, spoken word, and video. The evening started slowly, and I have to admit I was skeptical at first. I needn’t have worried. this happened…turned out to be inventive and engaging. Continue reading Review: this happened… (Kate Hilliard/Citadel + Compagnie)→
Jesus Hopped the ‘A’ Train is a graphic and disturbing deep dive into prison life and faith
Soulpepper Theatre presents Jesus Hopped the ‘A’ Train, a graphic and distressing story of two prison inmates serving time for murder. One has been serving his sentence for years, but his discovery of God helps him find joy in his days. The other is a younger man recently charged and now overwhelmed with desperation and grief as he sees the rest of his sentence lain before him. This is a blistering story of life behind bars on Rikers Island, of racism and police brutality, of a harrowing life of constant struggle.
Standing ovation at Marjorie Prime, now playing in Toronto
Marjorie Prime, Jordan Harrison’s 2015 Pulitzer Prize finalist now playing at Coal Mine Theatre, asks us about the limits of our interaction with technology, and how we shape and retain our identities in a world where artificial intelligence can be more reliable than our own memories. Sci-fi trappings aside, director Stewart Arnott’s production is also a wonderfully moving and human drama about the fear of aging and obsolescence, and our inability to let go of the past.